Observing Conflict: The Sniper’s Nest in Sudan
The photograph captures Sgt. Maj. Ismail Hassan of the Sudanese Army observing from a sniper’s nest in a damaged apartment overlooking the Blue Nile, where conflict persists against the Rapid Support Forces. The area reflects the consequences of a military coup and civil war, with the presidential palace visible across the river, marking a significant change from its previous status as a democratic capital.
The image depicts the commander of a sniper team in the Sudanese Army, positioned with a target across the Blue Nile. His primary targets are members of the Rapid Support Forces, and the presidential palace lies within view. The sniper rifle’s frequent use has left noticeable damage and stains on the bedroom wall of a once luxurious apartment.
The apartment block, situated on the northern bank of the river, has been stripped of all light bulbs, likely removed by looters or military personnel, as an illuminated chandelier would jeopardize the sniper’s position. At present, Sgt. Maj. Ismail Hassan remains in an observation phase. His ear protectors are neatly placed on the chair’s back, indicating readiness without active engagement.
Despite a bare mattress being present for brief rests, Sergeant Major Hassan and his team opt to sleep further within the building, seeking safety from the surrounding gunfire. The location, which was once a prestigious riverside setting, has transformed drastically following a military coup and subsequent civil conflict between the army and the Rapid Support Forces.
The photograph was captured on March 12, as the Blue Nile had effectively become the front line amidst the ongoing turmoil. The presidential palace, a longstanding symbol of political power, stands on the southern bank opposite the sniper’s position.
The Sniper’s Nest showcases the stark realities faced by those in conflict zones, highlighting the dramatic shift in Sudan’s socio-political landscape. It poignantly illustrates the precarious position taken by Sergeant Major Ismail Hassan as he navigates a landscape marked by violence and instability, representing a broader narrative of a nation grappling with the aftermath of civil strife.
Original Source: www.nytimes.com
